Detritus, 2025
Collectible Fair, NYC
A seven-piece collection designed with Ashley Law for Flawk. Exhibited at Collectible Fair NYC. Born from shared walks through Epping Forest and the South Downs, the collection of furniture, lighting and objects transforms found fragments – twigs, bark, lichen-covered wood – into lasting forms through cast aluminium.
Collectible Fair, NYC
A seven-piece collection designed with Ashley Law for Flawk. Exhibited at Collectible Fair NYC. Born from shared walks through Epping Forest and the South Downs, the collection of furniture, lighting and objects transforms found fragments – twigs, bark, lichen-covered wood – into lasting forms through cast aluminium.
Beyda Shelving, 2025
Brushed Aluminum, Sm: 33cm (w) x 12cm (d) x 8.5cm (h) / M: 53cm (w) x 18cm (d) x 13.5cm (h) / L: 68cm (w) x 20cm (d) x 16.5cm (h)
A continuation of the Beyda series, developed from the scans of three distinct rocks from the Sahara El Beyda in Egypt. Separated into cross sections, and reconstituted into a linear construction. Available in three sizes.
Brushed Aluminum, Sm: 33cm (w) x 12cm (d) x 8.5cm (h) / M: 53cm (w) x 18cm (d) x 13.5cm (h) / L: 68cm (w) x 20cm (d) x 16.5cm (h)
A continuation of the Beyda series, developed from the scans of three distinct rocks from the Sahara El Beyda in Egypt. Separated into cross sections, and reconstituted into a linear construction. Available in three sizes.
Gilled Floor + Table Lamp, 2025
Physical Installation
A real-world installation capturing the synergy between the Gilled Lamp and the natural environment. Located on Dartmoor, the installation took place on 25.12.24, Christmas Day.
Physical Installation
A real-world installation capturing the synergy between the Gilled Lamp and the natural environment. Located on Dartmoor, the installation took place on 25.12.24, Christmas Day.
Beyda Coffee Table, 2024
Brushed Aluminum, 100cm x 55cm x 41cm (h)
Developed from the intricate cross-sections of a rock discovered in the Sahara el Beyda, the “White Desert,” Egypt. The concept embodies the preservation of the unique irregularities of the ever-changing chalk formations of the desert. An expression of the contours of the rock, fragmented and reconstituted into a refined, linear construction.
Brushed Aluminum, 100cm x 55cm x 41cm (h)
Developed from the intricate cross-sections of a rock discovered in the Sahara el Beyda, the “White Desert,” Egypt. The concept embodies the preservation of the unique irregularities of the ever-changing chalk formations of the desert. An expression of the contours of the rock, fragmented and reconstituted into a refined, linear construction.
Suspended Earth, 2024
Kearsey + Gold Gallery, London
Serving as a backdrop to the “Minotaur” sculpture by Guy Haddon Grant, this installation confronts the viewer with the paradox of earth as both a physical foundation and an ever-shifting force. By translating a typically grounded, tangible substance into a flexible, suspended form, the work challenges conventional perceptions of stability.
These elements evoke a dynamic tension between the material's origin and its new, weightless existence, offering a meditation on impermanence and reconstruction. Commissioned as part of the “Material Syntax” exhibition at Kearsey + Gold Gallery.
Kearsey + Gold Gallery, London
Serving as a backdrop to the “Minotaur” sculpture by Guy Haddon Grant, this installation confronts the viewer with the paradox of earth as both a physical foundation and an ever-shifting force. By translating a typically grounded, tangible substance into a flexible, suspended form, the work challenges conventional perceptions of stability.
These elements evoke a dynamic tension between the material's origin and its new, weightless existence, offering a meditation on impermanence and reconstruction. Commissioned as part of the “Material Syntax” exhibition at Kearsey + Gold Gallery.
Tondolo Installation, 2024
Dover Street Market, London
Spatial design for Tondolo installation at Dover Street Market. Custom “black mud” wall, sculpted plinths and various configurations of Gilled Lamp including two custom floor-to-ceiling lamps accompany Alessandro’s clothing and accessories.
Dover Street Market, London
Spatial design for Tondolo installation at Dover Street Market. Custom “black mud” wall, sculpted plinths and various configurations of Gilled Lamp including two custom floor-to-ceiling lamps accompany Alessandro’s clothing and accessories.
Ceiba Side Table, 2024
Brushed Aluminum, 40cm x 36cm x 62cm(h)
Developed from tracings of various cross sections of a Ceiba Tree found in Oaxaca, Mexico
Brushed Aluminum, 40cm x 36cm x 62cm(h)
Developed from tracings of various cross sections of a Ceiba Tree found in Oaxaca, Mexico
We Were Here, 2024
Group Exhibition, Milan
Participated in a group exhibition during Milan Design Week curated by Joris Verstrepen and Jiin Yoon.
Group Exhibition, Milan
Participated in a group exhibition during Milan Design Week curated by Joris Verstrepen and Jiin Yoon.
Gilled Floor + Table Lamp, 2024
Cotton, Stainless Steel, 100cm (h) x 32cm / 40cm (h) x 14cm
A collaboration with Alessandro Tondolo, using his pleated fabric inspired by mushrooms to create an adaptable lamp that can be reconfigured.
Cotton, Stainless Steel, 100cm (h) x 32cm / 40cm (h) x 14cm
A collaboration with Alessandro Tondolo, using his pleated fabric inspired by mushrooms to create an adaptable lamp that can be reconfigured.
Ceiba Candle and Holder, 2023
Bleached Beeswax
Exploring the digital augmentation of flora and the subsequent reproduction as functional objects.
Bleached Beeswax
Exploring the digital augmentation of flora and the subsequent reproduction as functional objects.
Side Table 01 + 02
3D Printed Ceramic
Exploring the digital augmentation of flora and the subsequent reproduction as functional objects.
3D Printed Ceramic
Exploring the digital augmentation of flora and the subsequent reproduction as functional objects.
A Proliferation of Nature, 2023
PLA, Fibreglass, 62cm x 25cm (h)
Formed from the 3D scan of a palm, digitally altered to further amplify the form. Exploring the augmentation of flora and reproduction as functional objects. Manufactured from 3D printed sections, joined and strengthened with fibreglass and glass microspheres, achieving great structural strength and rigidity.
PLA, Fibreglass, 62cm x 25cm (h)
Formed from the 3D scan of a palm, digitally altered to further amplify the form. Exploring the augmentation of flora and reproduction as functional objects. Manufactured from 3D printed sections, joined and strengthened with fibreglass and glass microspheres, achieving great structural strength and rigidity.
Casuarina Side Table, 2023
Concrete, Hot Rolled Steel
Conceived from the 3D scan of a Casuarina Cunninghamiana tree in Mexico. The face of the table top is digitally traced from the cross-section of the lower trunk and roots of the Casuarina tree. With the tessellated nature of the 3D polygonal mesh, the top has visible straight edges, yet is still distinguishable as the original form of the trunk.
The spatial configuration of the roots are symbolic of the interaction between the tree and the earth. It’s weathered contours serve as a testament to the endurance of the tree; an anchor between life and matter. Casuarina’s digital to physical transcendence is representative of this same relationship ascending beyond past, present and future.
Concrete, Hot Rolled Steel
Conceived from the 3D scan of a Casuarina Cunninghamiana tree in Mexico. The face of the table top is digitally traced from the cross-section of the lower trunk and roots of the Casuarina tree. With the tessellated nature of the 3D polygonal mesh, the top has visible straight edges, yet is still distinguishable as the original form of the trunk.
The spatial configuration of the roots are symbolic of the interaction between the tree and the earth. It’s weathered contours serve as a testament to the endurance of the tree; an anchor between life and matter. Casuarina’s digital to physical transcendence is representative of this same relationship ascending beyond past, present and future.
Transforming the Stones into a Rock, 2023
Recinto
A collaboration with Luigi Pensa, developed with Marmoles Covarrubias in Mexico.
Starting with the idea of reconceptualising the waste marble, and further incorporating tools and machinery used by the factory workers, this piece is a digital assemblage representing both the primitive and technological processes used to transform the rocks. The work is an exploration of the relationship between the image and the material, and the image as a material. Crafted from Recinto, the monolith is a homage to ancient Aztec sculptures conceived from the same volcanic stone.
Recinto
A collaboration with Luigi Pensa, developed with Marmoles Covarrubias in Mexico.
Starting with the idea of reconceptualising the waste marble, and further incorporating tools and machinery used by the factory workers, this piece is a digital assemblage representing both the primitive and technological processes used to transform the rocks. The work is an exploration of the relationship between the image and the material, and the image as a material. Crafted from Recinto, the monolith is a homage to ancient Aztec sculptures conceived from the same volcanic stone.
Digital Fossilisation, 2023
Concrete
A series of side tables exploring the digitalisation of objects and textures from nature as a means of virtual preservation, and the subsequent replication in alternative mediums. Throughout this process the organic forms must be transposed to a polygonal mesh, whereby the ratio of decimation dictates the accuracy of preservation. Object 01 has been decimated to a significantly higher degree than Object 02 - but does this detract from the organic origins of the shape? To what extent would the structure have to be decimated to be deemed as unrecognisable?
Concrete
A series of side tables exploring the digitalisation of objects and textures from nature as a means of virtual preservation, and the subsequent replication in alternative mediums. Throughout this process the organic forms must be transposed to a polygonal mesh, whereby the ratio of decimation dictates the accuracy of preservation. Object 01 has been decimated to a significantly higher degree than Object 02 - but does this detract from the organic origins of the shape? To what extent would the structure have to be decimated to be deemed as unrecognisable?
Graduating from Central Saint Martins in 2021, his work reflects an interconnectivity between digital and physical; a testament to how technology can be used to enhance our perception of the natural world - to augment and metamorphose. Through this process of recontextualisation, he explores how the beauty of organic forms can be venerated, creating functional, sculptural objects that uphold yet transcend the archetype of their predecessors.
Education
Central Saint Martins, 2018-2021
BA Product + Industrial Design
Experience
The Conran Shop, 2021-present
Product Developer
Somerset House, 2023-present
Under-25 Residency, Makerversity
Installations
Dover Street Market London, 2024
Tondolo Installation - Spatial Design, Installation, Build
Somerset House, 2024
Tondolo AW24 Showroom - Curation, Design
Milan Design Week, 2024
We Were Here - Group Show
Collectible Fair NYC, 2025
Detritus collection
Awards
Design Guild Mark, 2025
Press
Elle Decoration
June 2025 Issue
TANK Magazine - “Beyond Community”, Spring 2025
THINGS - A selection of TANK’s favourite things
Hypebeast, 2024
Best Furniture + Lighting, October Edit
ISOLA
Guest Installations + Exhibitions, Milan Design Week 2024
Dezeen
Milan Design Week 2024
Expertise
3D Modelling, CAD
Solidworks, Fusion 360, Blender
Fabrication
Woodworking, Metalworking, Ceramics, Protoyping, 3D Printing
Digital Visualisation + Graphics
Photoshop, Illustrator, Lightroom, InDesign, AI Generative Design
Material Exploration
Casting, Surface Texture Exploration, Finishing Techniques
Technical Drawing
2D Drafting, Sketching, Design For Manufacture (DFM) + Assembly, Technical Specifications + BOM, Tolerance
Rendering + Visualisation
Keyshot, Blender
Design Development + Research
Concept Ideation + Storyboarding, Trend + Market Analysis, Photogrammetry / 3D Scanning, Sustainable Development
Product Development
Sourcing of Manufacture, Factory Visits + Quality Control Inspections, Managing Production Lead Times, Cost Breakdown + Production Scheduling, Profit Margin Calculation + Optimisation, COGS Analysis, Shipping + Logistics Coordination, Vendor Relationship Building